Provenance:
Private Collection, Winnipeg
The textile printing program in Kinngait was initiated in 1956 as part of the West Baffin Eskimo Cooperative’s (WBEC) exploration of new artistic media. Early experiments employed hand-blocking with carved stone, followed by stencilling in the late 1950s, and eventually screen printing in the 1960s. A wide range of fabrics—including cotton and linen—served as the foundation for these designs. Motifs were selected from Inuit artists’ drawings and adapted into repeating patterns, aligning with the prevailing mid-century modern aesthetic.
The program garnered significant public attention, most notably at Expo 67, yet high shipping and production costs in the Arctic rendered it economically unsustainable. In 1968, the initiative was discontinued, and designs were subsequently licensed for manufacture in southern Canada.
This textile, designed by Kingwatsiak, demonstrates a more complex composition than the typical repetitive patterns produced for clothing and interior decoration. Its intricacy suggests that it was created in a limited run, and may represent a unique, one-off production within the broader fabric design program.
Anna Kingwatsiak was born in 1911 in a camp near Kimmirut on the south shore of Baffin Island, in what is now Nunavut. She was the oldest child in an artistic family; several of her siblings also became accomplished artists, including Keeleemeeoomee Samualie, Iyola, Tye Adla, and Mikigak Kingwatsiak. In the 1930s, her family moved closer to Kinngait (Cape Dorset), but Kingwatsiak, who had already married, remained in Kimmirut. After her husband died from tuberculosis in 1961, she moved to Kinngait to be closer to her sisters.
Kingwatsiak produced drawings depicting Inuit imagery and scenes of daily life. Many of her drawings were made into prints by the West Baffin Eskimo Co-operative. She also designed printed home textiles during the 1950s and 1960s as part of an effort to develop a commercial market for the co-operative's work. She died in 1971. Her work is held in the collections of the National Gallery of Canada, the McMichael Canadian Art Collection, the Montreal Museum of Fine Arts, the Rhode Island School of Design Museum, and the Art Gallery of Guelph.
December 4 - December 18, 2025
212 McDermot Ave, Winnipeg MB
(204) 255-5690
mayberryfineart.com
[email protected]
Contact us to make an appointment to preview this item or to sell similar works.
|
Bidding Range
|
Increment
|
|---|---|
| $0.00 - $50.00 | $1.00 |
| $50.00 - $100.00 | $5.00 |
| $100.00 - $500.00 | $10.00 |
| $500.00 - $1,000.00 | $25.00 |
| $1,000.00 - $5,000.00 | $50.00 |
| $5,000.00 - $10,000.00 | $100.00 |
| $10,000.00 - $20,000.00 | $200.00 |
| $20,000.00 - $50,000.00 | $500.00 |
| $50,000.00 - $100,000.00 | $1,000.00 |
| $100,000.00+ | $5,000.00 |
Login or register a BidLots.com account to participate in any auction. Track specific lots and artists with real-time notifications on all bidding activity.
Bidding approval requires three simple steps:
1. Create a Bid Lots account
2. Confirm your email address
3. Create a valid billing profile
Bid Lots and/or the auctioneer may choose to revoke your bidding privileges if your account is not in good standing or your activity is in conflict with our standard terms and conditions of sale.
The buyer’s premium is an additional percentage charged to the winning bidder. The buyer’s premiums may vary from auction to auction, typically ranging from 10% to 20%. Buyer’s premiums will be displayed on detailed lot listings and paddle registration forms.
Bidding begins at the reserve price and advances at set increments based on the bidding range. The specific bidding increments may vary from auction to auction, however the next bid and subsequent increments will always be clearly defined on detailed lot listings. Maximum Bids and Single Bids can only be placed within the pre-defined bidding increments ensuring that no two bidders can place identical bids on an item. View individual lot detail pages to see a complete range of bidding increments for that item.
Requests to cancel a single bid are at the sole descretion of the auctioneer. Maximum bids can be increased but cannot be decreased unless premitted by the auctioneer. Requests to cancel a bid or to alter a maximum bid will be denied if the specific lot is scheduled to close in less than 24 hours or if the lot has significant interest or activity.
To request that a bid be cancelled or to change a maximum bid use the "Ask a question" button on the detailed lot listing.
You will receive an email notification when you have successfully won an auction. You will also see the item listed on your "Bidding Results" page and if you are logged into the site you will see a highlighted message on the auction catalogue pages and auction listings.
Shipping requirements may vary on different items depending on location and size or weight of an item. When registering for a specific auction you will be provided options to clarify your preferred shipping instructions. The auctioneer will also review and provide specific shipping quotes or options following the close of an auction. If you have specific shipping requirements or are unsure of the shipping constraints on a specific item please contact the auctioneer prior to bidding.
Following the close of an auction the auctioneer will provide a detailed invoice for all items you have won. They may contact you before a final invoice is prepared to confirm or review specific shipping instructions. Payment is due once a final invoice is provided and can be submitted online by credit card, or made by EFT (Electronic Fund Transfer), bank draft or international wire transfer. Any outstanding balance will be automatically charged to your registered credit card 5 days following the close of an auction.