| Artist | The Beatles |
|---|---|
| Album Title | The Beatles Again |
| Format Details | Vinyl (LP, Compilation) |
| Label | Apple Records |
| Publication Year | 1970 |
| Genre | Rock |
| Style | Rock & Roll, Pop Rock, Psychedelic Rock |
| Track Count | 10 |
| Catalog Number | SO-385, SW-385 |
| Matrix / Runout (Side A label) SO1-385 |
| Matrix / Runout (Side B label) SO2-385 |
| Matrix / Runout (Side A runout, variant 1) SO-1-385 Z39 Bell Sound sƒ |
| Matrix / Runout (Side B runout, variant 1) SO-2-385 Z38 Bell Sound sƒ |
| Matrix / Runout (Side A runout, variant 2) SO-1-385 Z-40 #7 Bell Sound sƒ |
| Matrix / Runout (Side B runout, variant 2) SO-2-385 Z-40 Bell Sound sƒ |
| Matrix / Runout (Side A runout, variant 3) SO-1-385 Z-41 Bell Sound sƒ |
| Matrix / Runout (Side B runout, variant 3) SO-2-385 Z40 Bell Sound sƒ |
| Matrix / Runout (Side A runout, variant 4) SO-1-385 Z39 Bell Sound sƒ |
| Matrix / Runout (Side B runout, variant 4) SO-2-385 Z-40 Bell Sound sƒ |
| Matrix / Runout (Side A runout, variant 5) SO-1-385 Z-41 Bell Sound sƒ |
| Matrix / Runout (Side B runout, variant 5) SO-2-385 Z-40 #7 Bell Sound sƒ |
| Matrix / Runout (Side A runout, variant 6) SO-1-385 Z-40 #9 Bell Sound sƒ |
| Matrix / Runout (Side B runout, variant 6) SO-2-385 Z-40 Bell Sound sƒ |
| Matrix / Runout (Side A runout, variant 7) SO-1-385 Z-41 #2 Bell Sound sƒ |
| Matrix / Runout (Side B runout, variant 7) SO-2-385 Z-38 Bell Sound sƒ |
| Matrix / Runout (Side A runout, variant 8) SO-1-385 Z-40 #7 Bell Sound sƒ |
| Matrix / Runout (Side B runout, variant 8) SO-2-385 Z-40 #7 Bell Sound sƒ |
This 1970 Apple Records release (SW-385) is an original Canadian first pressing of the compilation album Hey Jude (originally titled The Beatles Again). This specific unit is the initial Canadian issue, distinguished by the light green Apple labels and the unique "Litho in Canada" [MG] logo on the bottom of the spine.
As a first-state Canadian pressing, the back cover lists the manufacturer as "Capitol Records (Canada) Ltd." and correctly identifies the catalog number as SW-385. This album is historically significant as the first time several late-era Beatles singles and B-sides, including "Lady Madonna," "Revolution," and "Hey Jude," were made available on a long-playing record in stereo. The Canadian pressings from this era are often noted by collectors for their thick cardboard "paste-over" style jackets and high-quality vinyl composition compared to some US counterparts from the same period.
| Artist | The Beatles |
|---|---|
| Album Title | The Beatles Again |
| Format Details | Vinyl (LP, Compilation) |
| Label | Apple Records |
| Publication Year | 1970 |
| Genre | Rock |
| Style | Rock & Roll, Pop Rock, Psychedelic Rock |
| Track Count | 10 |
| Catalog Number | SO-385, SW-385 |
| Matrix / Runout (Side A label) SO1-385 |
| Matrix / Runout (Side B label) SO2-385 |
| Matrix / Runout (Side A runout, variant 1) SO-1-385 Z39 Bell Sound sƒ |
| Matrix / Runout (Side B runout, variant 1) SO-2-385 Z38 Bell Sound sƒ |
| Matrix / Runout (Side A runout, variant 2) SO-1-385 Z-40 #7 Bell Sound sƒ |
| Matrix / Runout (Side B runout, variant 2) SO-2-385 Z-40 Bell Sound sƒ |
| Matrix / Runout (Side A runout, variant 3) SO-1-385 Z-41 Bell Sound sƒ |
| Matrix / Runout (Side B runout, variant 3) SO-2-385 Z40 Bell Sound sƒ |
| Matrix / Runout (Side A runout, variant 4) SO-1-385 Z39 Bell Sound sƒ |
| Matrix / Runout (Side B runout, variant 4) SO-2-385 Z-40 Bell Sound sƒ |
| Matrix / Runout (Side A runout, variant 5) SO-1-385 Z-41 Bell Sound sƒ |
| Matrix / Runout (Side B runout, variant 5) SO-2-385 Z-40 #7 Bell Sound sƒ |
| Matrix / Runout (Side A runout, variant 6) SO-1-385 Z-40 #9 Bell Sound sƒ |
| Matrix / Runout (Side B runout, variant 6) SO-2-385 Z-40 Bell Sound sƒ |
| Matrix / Runout (Side A runout, variant 7) SO-1-385 Z-41 #2 Bell Sound sƒ |
| Matrix / Runout (Side B runout, variant 7) SO-2-385 Z-38 Bell Sound sƒ |
| Matrix / Runout (Side A runout, variant 8) SO-1-385 Z-40 #7 Bell Sound sƒ |
| Matrix / Runout (Side B runout, variant 8) SO-2-385 Z-40 #7 Bell Sound sƒ |
The Beatles formed in Liverpool in 1960, evolving from John Lennon's skiffle group The Quarrymen, which he started in 1957. The classic lineup of John Lennon (rhythm guitar, vocals), Paul McCartney (bass, vocals), George Harrison (lead guitar, vocals), and Ringo Starr (drums, vocals) solidified in August 1962 when Starr replaced Pete Best. Before achieving fame, the band honed their skills playing lengthy sets in Hamburg, Germany's seedy club scene between 1960-1962, performing over 1,200 hours on stage. Local record store owner Brian Epstein became their manager in January 1962, securing them an audition with EMI's Parlophone label after multiple rejections from other labels including Decca. Producer George Martin signed them despite initial reservations, beginning a creative partnership that would define 1960s popular music. Their first single "Love Me Do" reached #17 on UK charts in October 1962, followed by "Please Please Me" which hit #1 in most UK charts except Record Retailer where it peaked at #2.
The Beatles' impact on music history encompasses multiple innovations in songwriting, recording, and the music industry itself. They transitioned popular music from primarily professional songwriters to self-contained bands writing their own material, with Lennon-McCartney becoming the most successful songwriting partnership in popular music history. Their harmonic sophistication introduced elements from classical music, Indian music, and avant-garde techniques into mainstream pop. In the studio, they pioneered or popularized numerous recording techniques including artificial double tracking (ADT), backwards recording, tape loops, and innovative use of studio effects. Their album "Sgt. Pepper's Lonely Hearts Club Band" (1967) cost £25,000 to produce (approximately £500,000 today), an unprecedented sum that demonstrated albums could be artistic statements rather than collections of singles. The Beatles' success opened American markets to British acts, sparking the "British Invasion" that reshaped global popular music. They sold over 183 million certified units in the United States alone and an estimated 600 million units worldwide.
The Beatles' album production evolved dramatically across their eight-year recording career from 1963-1970. Their early albums like "Please Please Me" (1963) were recorded in single day sessions, with the debut album famously completed in 12 hours 45 minutes at a cost of £400. As their commercial success grew, EMI granted unprecedented studio access, allowing experimentation impossible for other acts. "Rubber Soul" (1965) and "Revolver" (1966) marked their transition from live performance-oriented recordings to studio creations impossible to replicate on stage. They retired from touring in August 1966, focusing exclusively on studio work. "Sgt. Pepper's" (1967) took 700 hours of studio time over five months, revolutionizing album production standards. The Beatles utilized Abbey Road's four-track recording technology to its limits, bouncing tracks together to create dense layered arrangements. Their partnership with George Martin, classically trained and open to experimentation, enabled orchestral arrangements, unconventional instruments, and concrete music techniques previously confined to avant-garde composers.
The band's thirteen core UK studio albums demonstrate consistent innovation within popular music frameworks. Early albums averaged 14 tracks mixing covers with originals, while later works featured exclusively original material with fewer, longer compositions. "The Beatles" (1968), known as the White Album, sprawled across 30 tracks exploring diverse genres from folk to proto-metal to musique concrète. "Abbey Road" (1969) featured a 16-minute medley on Side Two that showcased their sophisticated arrangement skills. Album sales peaked with "Sgt. Pepper's" selling over 32 million copies worldwide. Their catalog generated over £82 million in UK sales alone by 1985. The band recorded 213 songs during their EMI years, with Lennon-McCartney credited on 180 compositions. George Harrison contributed 25 songs, while Ringo Starr contributed two. They achieved 17 UK #1 singles and 15 #1 albums, spending 174 weeks atop the UK album charts.
The Beatles' recording legacy influenced virtually every aspect of modern popular music production. Their insistence on artistic control established precedents for musician autonomy in the studio. The concept of the album as cohesive artistic statement rather than singles compilation became industry standard following their example. Technical innovations they popularized became routine studio practices: close microphone placement on drums, compression techniques, and treating the studio as an instrument itself. Their work ethic - averaging two albums yearly while maintaining quality - set productivity standards rarely matched. The CD remasters in 2009 sold over 10 million copies in four months, demonstrating enduring commercial appeal. Their influence extends beyond direct musical impact to broader cultural effects: validating popular music as art worthy of serious analysis, establishing the template for self-contained bands, and proving rock music could address complex themes while maintaining mass appeal. Quantifiable achievements include 20 Grammy Awards, induction into the Rock and Roll Hall of Fame in 1988, and continuing sales exceeding 2 million units annually fifty years after disbanding.
April 3 - April 13, 2026
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Bidding Range
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Increment
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|---|---|
| $0.00 - $50.00 | $1.00 |
| $50.00 - $100.00 | $5.00 |
| $100.00 - $500.00 | $10.00 |
| $500.00 - $1,000.00 | $25.00 |
| $1,000.00 - $5,000.00 | $50.00 |
| $5,000.00 - $10,000.00 | $100.00 |
| $10,000.00 - $20,000.00 | $200.00 |
| $20,000.00 - $50,000.00 | $500.00 |
| $50,000.00 - $100,000.00 | $1,000.00 |
| $100,000.00+ | $5,000.00 |
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