Lot Details
| Series Title | Peter Parker, The Spectacular Spider-Man |
|---|---|
| Issue Number | 84 |
| Volume | 1 |
| Cover Date | November 1983 |
| Cover Price | 75¢ |
| Printing | First Print |
| Variant Description | Canadian Price Variant |
| Genre | Superhero |
| Age Era | Bronze Age |
| Publisher | Marvel Comics |
| Character Appearances | Spider-Man, arcade/video game themed characters |
The Spectacular Spider-Man #84
The Canadian Price Variant designation indicates this copy was distributed exclusively to Canadian newsstands, making it considerably scarcer than the US newsstand and direct market editions due to Canada's smaller population and limited distribution network during this period.
(Includes Buyer's Premium)
Lot Details
| Series Title | Peter Parker, The Spectacular Spider-Man |
|---|---|
| Issue Number | 84 |
| Volume | 1 |
| Cover Date | November 1983 |
| Cover Price | 75¢ |
| Printing | First Print |
| Variant Description | Canadian Price Variant |
| Genre | Superhero |
| Age Era | Bronze Age |
| Publisher | Marvel Comics |
| Character Appearances | Spider-Man, arcade/video game themed characters |
The Spectacular Spider-Man
The Spectacular Spider-Man launched in December 1976 as Marvel's second ongoing Spider-Man title, created to meet demand that The Amazing Spider-Man's monthly schedule couldn't satisfy. The series began with writer Gerry Conway and artist Sal Buscema, positioning itself as a companion title that would tell stories occurring between Amazing Spider-Man issues without disrupting that series' continuity. The first issue sold approximately 350,000 copies, demonstrating the market's appetite for additional Spider-Man content. Initially published in magazine format for two issues to test the waters, it quickly converted to standard comic format with issue #1. The series aimed to focus more on Peter Parker's personal life and supporting cast while Amazing handled major villains and events, though this distinction blurred over time.
The title found its definitive voice under writer Bill Mantlo (issues #43-85) and later Roger Stern (#43-61 as editor, #109-117 as writer), who emphasized street-level crime stories and Peter Parker's college years. Spectacular differentiated itself by featuring lesser-known villains and creating new ones, including the introduction of Cloak and Dagger in #64 (1982), the villainous Hobgoblin's early appearances, and the crime boss Silvermane's cyborg transformation. The series maintained strong sales throughout the early 1980s, averaging 200,000-250,000 copies monthly. Artists including Ed Hannigan, Al Milgrom, and John Romita Jr. contributed distinctive visual approaches that gave Spectacular its own identity separate from Amazing's more traditional superhero artwork.
The series achieved its greatest critical and commercial success during writer Peter David's run (#103-136, 1985-1988), which brought psychological complexity and dark humor to Spider-Man's world. David's most famous storyline, "The Death of Jean DeWolff" (#107-110), dealt with sin, redemption, and vigilantism as Spider-Man investigated the murder of police captain Jean DeWolff. This arc, featuring artwork by Rich Buckler, pushed Comics Code boundaries with its mature themes and violent content, establishing Spectacular as the more adult-oriented Spider-Man title. David introduced the notion that Spider-Man might kill if pushed too far, exploring the character's moral boundaries. Sales during this period often matched or exceeded Amazing Spider-Man, with key issues reaching 300,000 copies.
The 1990s brought radical changes as Spectacular became the testing ground for controversial storylines. J.M. DeMatteis's "Harry Osborn saga" (#178-184, 1991) culminated in Harry's death from the Green Goblin formula, one of the few permanent deaths in Spider-Man's history. The series played crucial roles in major crossovers including "Maximum Carnage" and the "Clone Saga," with Ben Reilly operating as Spider-Man in Spectacular while Peter appeared in other titles. Sales peaked during the speculation boom, with some issues exceeding 400,000 copies, though quality varied wildly. The title underwent multiple creative team changes and editorial mandates, including a brief period as "Peter Parker: Spider-Man" (#257-300) before reverting to Spectacular Spider-Man.
Writer Paul Jenkins's run (#1-22, 2003-2005) of volume 2 represented a creative renaissance, focusing on introspective stories examining Spider-Man's relationships with his villains. Jenkins's work, particularly issues dealing with Doctor Octopus and Green Goblin, earned critical acclaim for treating villains as complex characters rather than obstacles. The series ended with #310 (vol. 1 numbering) in 2013 as part of Superior Spider-Man's launch, concluding a 37-year run. Throughout its history, Spectacular Spider-Man sold over 100 million copies combined, proving the viability of multiple Spider-Man titles. The series served as a crucial laboratory for Spider-Man mythology, introducing lasting elements including the black costume's first regular appearance, the Hobgoblin mystery, and numerous supporting characters.
The Spectacular Spider-Man's legacy lies in proving that flagship characters could sustain multiple quality titles with distinct identities. It established the model Marvel would follow for expanding popular franchises, demonstrating that different creative teams could explore varied aspects of the same character. The series launched careers of writers like Peter David and artists like John Romita Jr., while providing steady employment for veteran creators. Key storylines have been collected in various formats and influenced Spider-Man across all media. The title's willingness to tackle mature themes and complex characterization helped establish Spider-Man as more than a teenage hero, exploring his evolution into adulthood. While always overshadowed by Amazing Spider-Man's primacy, Spectacular Spider-Man contributed essential chapters to the wall-crawler's mythology, proving that spectacular could indeed describe both the hero and his adventures.
Winnipeg Collectibles Auction
October 15 - October 29, 2025
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Bidding Range
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Increment
|
|---|---|
| $0.00 - $50.00 | $1.00 |
| $50.00 - $100.00 | $5.00 |
| $100.00 - $500.00 | $10.00 |
| $500.00 - $1,000.00 | $25.00 |
| $1,000.00 - $5,000.00 | $50.00 |
| $5,000.00 - $10,000.00 | $100.00 |
| $10,000.00 - $20,000.00 | $200.00 |
| $20,000.00 - $50,000.00 | $500.00 |
| $50,000.00 - $100,000.00 | $1,000.00 |
| $100,000.00+ | $5,000.00 |
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