Lot 28
Arctic Madonna 34/50
stonecut and stencil on paper, 1980
signed , titled, numbered and dated in pencil in the lower margin.
23.5 x 25 in (59.7 x 63.5 cm)
30 x 31.5 in (76.2 x 80 cm) including frame

Throughout the Canadian Arctic, the motif of the “mother and child” reign with an enduring charm and allure. Portrayals of the mother and child go beyond idyllic images of maternal love to illuminate the pivotal role of women both in their immediate family and in their communities. In Western art, the mother and child motif conjures images of the Madonna and Christ Child from Christian stories. While the title of this print directly acknowledges this association, in the Arctic, artists—many of whom are mothers— infuse this timeless theme with a secular yet equally sacred quality. In Arctic Madonna, the portrayal extends the theme of motherhood beyond the confines of personal kinship, embracing a broader sense of nurturing and femininity associated with the notion of “mother earth.” Flanking the woman and her child are two young owls that, as described by Pitaloosie, peek out from behind their maternal protector “like shy children” [1]. The colour palette of the print seems to be drawn from the very essence of the land itself, creating a further parallel between the the scene and the life-giving force of nature: the tans and browns mimic the earth, while the soft beiges could be seen as the wide expanses of the tundra.

1. Wight, Creation and Transformation, 2012, p. 138

PROVENANCE

Private Collection, Winnipeg

Auction Estimate $2,000.00 - $3,000.00
Auction has closed
Closed: Dec 3, 07:26:00 PM EST (UTC-05:00)
Ends in
Closing: Dec 3, 07:26:00 PM EST (UTC-05:00)
Auction opens in 1 hour 58 minutes
Opening: Nov 12, 10:00:00 AM EST (UTC-05:00)
Closing: Dec 3, 07:26:00 PM EST (UTC-05:00)
Paddle Registration
ID: 43-13491-2225137
Arctic
Arctic

Pitaloosie Saila

1942 – 2021 RCA

Pitaloosie Saila RCA (July 11, 1942 – July 24, 2021) was a Canadian Inuk graphic artist known for her drawings and lithograph prints. Born in Kinngait (Cape Dorset) in what was then the Northwest Territories, Saila spent much of her childhood in hospitals in Quebec and Ontario receiving treatment for tuberculosis. She learned English during these hospital stays and later served as a translator for her neighbors. After her mother died when she was two years old, she was raised by her grandmother and returned to Baffin Island in 1957 at age 15, where she had to relearn Inuktitut.

Saila began drawing in the early 1960s during James Archibald Houston's time at Cape Dorset and quickly developed a distinctive personal style. Her work has been included in Cape Dorset's annual print collections since 1968, with 113 of her images featured over the years. Her subject matter frequently focuses on strong, nurturing women, mothers with children, birds, and mythical Taleelayu (Sedna) figures. Her bold imagery translates effectively to the print medium, particularly lithography, in which many of her most recognized works were created.

Saila came from a family of accomplished artists. She was married to renowned sculptor Pauta Saila from 1960 until his death in 2009. Her stepmother Mary Pudlat contributed regularly to Cape Dorset print collections, while her uncles Pudlo Pudlat and Osoochiak Pudlat gained recognition for their graphic works. Her father's cousin, Peter Pitseolak, was among the first South Baffin Inuit to produce a sustained body of artistic work.

Throughout her career, Saila received significant recognition for her contributions to Canadian art. In 1977, Canada Post featured her 1971 print "Fisherman's Dream" on a postage stamp as part of a series celebrating Inuit art's contribution to Canada's cultural heritage. Her 1980 print "Arctic Madonna" was selected for a UNICEF greeting card in 1983, and Amnesty International chose her drawing "Mother and Child" for their 1990 Christmas card. In 2004, both she and her husband Pauta were inducted into the Royal Canadian Academy of Arts.

Saila's work has been displayed in over 150 exhibitions nationally and internationally, including the acclaimed "Isumavut: The Artistic Expression of Nine Cape Dorset Women" exhibition. Her works are held in major collections including the National Gallery of Canada, the Montreal Museum of Fine Arts, the Winnipeg Art Gallery, and the Canadian Museum of History. She traveled extensively throughout her career to attend exhibitions and conferences in southern Canada, the United States, and Europe, helping to bring Inuit art to international audiences.

Major Fall Fine Art Auction

November 12 - December 3, 2026

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