Lot #43
Shepard Fairey

Joan Jett The Runaway

Screenprint, 2013
24 x 18 in (61 x 45.7 cm)
This stylized screenprint portrait of Joan Jett showcases Shepard Fairey's signature high-contrast aesthetic with a limited palette of black, cream, and gray tones against a subtle leopard-print background. Created in Fairey's iconic propaganda-inspired style, the image captures the rebellious spirit of the rock icon in her leather jacket, emphasizing her status as a pioneering woman in rock who challenged gender norms in the music industry during the late 1970s and beyond. This piece is unframed.
Auction has closed
Closed: Apr 24, 07:42:00 PM CDT
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Closing: Apr 24, 07:42:00 PM CDT
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Auction Estimate $350.00 - $400.00
Next bid is $200.00
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Paddle Registration
ID: 12-12441-2223042

Shepard Fairey

Born in 1970, Shepard Fairey is a widely known and acclaimed contemporary artist and graphic designer. His work is known for its paired down, punchy aesthetic, encompassing lithography, vinyl stickers, murals and multiple business ventures that have made him notorious in the Fine Art, Street Art and Style worlds alike.. Often political, Fairey's work intends to provoke conversation, change minds and educate. By 2008, his now iconic "Hope" poster featuring Barack Obama spoke to an excitement for America's future and launched Fairey's career to previously unforeseen heights.

Shepard Fairey realised the disruptive power of Street Art in his salad days working at The Watershed Skate Shop alongside his studies at the Rhode Island School of Design. There, the iconic stencil of "Andre The Giant Has A Posse" was born. It would later evolve into his well known "OBEY GIANT" slogan and went on to be infamously plastered around New Jersey. As his career progressed, Fairey incorporated lithographs, murals and apparel into his practice.

Fairey delights in the confusion his guerrilla street art causes and believes it an exercise in “phenomenology”, which is to say the "meaning" of the sticker manifests itself within the viewer and reveals more about themselves than it does the artist’s intentions (Fairey, 1990). When confronted with these stickers, the artist wishes for the viewer to embrace what arises for them (Fairey, 1990). Be it laughter, confusion, intrigue or anger, these disruptions try to “stimulate curiosity and bring people to question both the sticker and their relationship with their surroundings” (Fairey, 1990).

Prints & Multiples Auction

April 10 - April 24, 2025

Hosted by
Mayberry Fine Art Logo

212 McDermot Ave, Winnipeg MB
(204) 255-5690
mayberryfineart.com
[email protected]

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