Elizabeth Nutaraluk Aulatjut was an Inuk sculptor from the Ahiarmiut, an inland-dwelling group also known as the Ihalmiut. She was born near Ennadai Lake in what is now Nunavut and lived in the area until the late 1950s.
Following a period of severe famine and near starvation in the late 1940s, Aulatjut and surviving members of her family were airlifted to the coastal community of Arviat in 1957. She remained in Arviat until her death in 1998.
Aulatjut began creating stone sculptures in the mid-1960s during her family's transition from semi-nomadic life to settlement living. Her early carvings were traded for food while still living on the land, and she later supported much of her family through income from her artwork.
Her sculptural subjects initially included animals, birds, and people. By the mid-1970s, she concentrated primarily on portraits of women, often shown alone or with children. Working with the region's grey stone, Aulatjut developed a technique that incorporated the stone's natural edges and shape into her human figures.
Her sculptural style features sharp angles, deep incisions, and cross-hatching to indicate long braids. Her semi-representational works frequently depicted mothers nursing children, with the women's bodies emerging from minimally worked stone material.
Aulatjut's sculptures are held in several institutional collections, including the Musée national des beaux-arts du Québec, the University of Winnipeg, and the McMichael Canadian Art Collection.
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Bidding Range
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